Hofman’s sculptures often originate from everyday objects. A straightforward paper boat,a pictogram of an industrial zone or mass-produced little toy figures can all serve as sources. They are all ready-mades, selected by Hofman for the beauty of their forms. Subsequently he crafts these into clear and iconic images; cartoonish blow-ups of reality that alienate and unsettle through their sheer size and use of materials. Nevertheless they are immediately identifiable and have an instant appeal. Inflatables, window stickers, agricultural plastic sheeting: for Hofman any material is suitable for turning into art.
The skin of Big Yellow Rabbit (Örebro, 2011) for example consisted of thousands of Swedish shingles. A wooden frame was covered in reed for Muskrat (2004). For Look-out Rabbit (2011) he screwed together many wooden planks and for Fat Monkey he used the aforementioned flip-flops. Hofman’s projects are often very labour-intensive. Gravity is being defied though by his love of materials and craft.