How to Pronounce "Los Angeles," According to Charles Lummis
In a memorable scene from the 1969 film “Easy Rider,” a toothless homesteader asks his long-haired dinner guests, Peter Fonda and Dennis Hopper, where they’re from. “L.A.,” Fonda answers. The rancher seems to roll the two syllables around in his mind. Nothing registers. “El…Ay?” he asks with a puzzled look. The hippies Fonda and Hopper portrayed didn’t think twice about shortening “Los Angeles” to “L.A.” If anything, the rancher’s reaction surprised them; they assumed anyone would understand the modernist abbreviation.
Nearly a half-century later, a growing chorus of critics critics shares the homesteader’s suspicion of "L.A." Discontent with the abbreviation is hardly new; in 1928, a reader of the Los Angeles Times objected to the paper’s use of it, writing that it “cheapens the city.” But it was Thom Andersen’s magnificent 2003 documentary “Los Angeles Plays Itself" that providing the most piercing criticism. In a widely-quoted monologue, Andersen casts scorn on “L.A.” as a “slightly derisive diminutive” foisted upon us by Hollywood cinema:
Another long-running controversy revolves around the question: "Angeleno" or "Angelino"? A while back, D.J. Waldie waded into the debate to point out that both sides had it wrong. The historically correct usage, he noted, is “Angeleño.” Waldie’s commentary stirred the waters, and soon after it appeared here on the KCET website in 2011, KPCC hosted a public discussion about “Angeleño.” Waldie uses the tildé to this day, but he's won few converts among Los Angeles writers.
Latter day efforts such as Andersen's and Waldie's resound with an earlier attempt to correct the way we refer to ourselves.
A fierce guardian of Southwestern traditions, Charles Fletcher Lummis fulminated against the common practice around the turn of the 20th century of abbreviating Spanish place names. Santa Buenaventura should never be shortened to “Ventura,” he declared; nor San Bernardino, “San Berdoo;” nor San Francisco, “Frisco.” “Shallow disrespect for history is never a trifle,” he wrote in 1904.
But Lummis held special contempt for the many ways Angeleños abused their city’s name in speech. Counting “no less than twelve distinct mutilations” in circulation, Lummis launched a vigorous letter-writing campaign around 1908 against the way English tongues were then butchering the Spanish name “Los Angeles.” Lummis objected to the long E in the most common of the pronunciations, “Lost Angie-Leez.” (Today's standard English pronunciation, "Loss AN-jul-ess," didn't earn official recognition until 1952.) Other examples from the time included:
- Loss ANG-eleez
- Loss ANG-el ess
- Loss ANN-Hell-Eez
- Loss ANN-Hell-Ess
- Loss ANN-Ha-Lace
- Loce ANN-Jell-Eez
- Loce ANN-Hay-Lace
- Loce ANG-EL-Eez
Never mind for now that Lummis' preferred pronunciation – "Loce ANG-el-ess" – strays just as far from the true Spanish. In fact, it was the Times that came closest to advocating for that; for many years, the newspaper printed a pronunciation guide – "Loce AHNG-hayl-ais" – beneath its editorial page mastead.
To Lummis' ear, the worst sins involved the use of English sounds that were foreign to Spanish tongues, including the flat O (“ah”) and the soft G, which he belittled as "jellified."
He summarized his case in a brief rhyme on behalf of “Our Lady, The Queen of the Angels,” which publications across the nation – including his own Out West – printed with some amusement: